Globalstar · connectivity from low Earth orbit, on the factory floor and off the grid, told in motion design.
Scroll to see the films
Where it reaches
Move across the field. Everywhere you touch, the network answers, the way it answers a ship at sea, a crew in the backcountry or a plant with no tower for miles.
Move your pointer across the field · arrow keys work too
The slate
Each film takes one Globalstar product line and shows it the way a launch film does. Drag through the worlds before you read them below.
The Floor That Answers · private wireless for the automated plant
The XCOM RAN demo. A dark automated port waits out of signal, cranes and arms still. Then Globalstar's private network on licensed spectrum blankets the floor, every machine linked in coordinated motion, and the whole plant runs as one.
Play · 30 seconds · sound on · tap the board to switch the network on
Globalstar's two-way satellite messaging, off the grid. A lone traveler stands far past the last cell tower, the world's signal draining to nothing. One thread of light rises to a satellite, and a reply lands where nothing else reaches.
Play · 30 seconds · sound on
Globalstar's satellite IoT, shown as the world's moving things coming online. Containers, trucks and remote sensors each send a short burst to the constellation, their routes drawn as light across a turning globe, every asset accounted for with no cell tower in frame.
Play · 30 seconds · sound on
The investor and tradeshow film for Globalstar. The camera rises from a lit city and a dark wilderness to the constellation threading low Earth orbit, its beams touching both places at once, the quiet infrastructure under modern life held in a single rising shot.
Play · 30 seconds · sound on
Key art
Three pieces of Globalstar key art, one image and one line each, set in the campaign's own type.
Ways in
Each one is scoped with you, case by case.
One product line · one motion-design film
The product family · a set that runs together
The tradeshow and investor cut · one story, every screen
Finished work from the record for Globalstar to judge us by, closest to this one first, each film playing in place.
The brief Quinn Halleck teamed with Cuebric and Disguise to make two case studies in just two days.
What we made Layered 2.7D environments running in Disguise instead of fully built 3D worlds: real-time parallax and camera interaction with minimal setup.
The result Two case studies in two days.
Open the case studyThe brief One idea from the brand and its agency WORTHI: retire the word payday, with La La Anthony's own real pictures.
What we made A culture-first campaign with La La playing one role, herself, her past as archival and her present as documentary, one partner serving agency and brand.
The result Carried by La La Anthony's audience of 15.8 million Instagram followers, a number one New York Times bestselling author with 25 years in culture.
Open the case studyThe brief A big-budget family-adventure script that had been collecting dust: the magic of Amblin, the wonder of E.T., the scale of Jurassic Park.
What we made A previsualization trailer that gave decision makers something a script cannot.
The result A bidding war between Netflix and Universal, ending with Universal landing the project with Jeff Robinov's Studio 8 producing.
Open the case studyRitualAds is the creative engine behind campaigns and previsualizations for brands from Coca-Cola to Reebok, built with the people who run them.
Pick a product line and the first film lands the same week.
Concept for Globalstar · motion-design product films · Concept only